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SELECTED PRESS / ESSAYS
DECATUR
BLUE
Distance (exhibition essay)
By J.W. Mahoney
January 2002
[excerpt]
Washington, D.C. has been and still is, weirdly enough, a city which
draws metaphysical artists continuously into its social and aesthetic
whorls. The current, sharpest edge of this spiral presents an active
curiosity among artists about the kinds of inner space that exist. Inner
distances are often, if not infinite, then infinitely attractive. Jose
Ruiz integrates ordinary life, lived in ordinary places, with the vastly
wider abstract curve of the collective awareness that surrounds it.